CBSE Class 12 English Flamingo Chapter 6: Poets and Pancakes NCERT Solutions

Here are the meanings of the words and expressions as inferred from the context of the chapter 'Poets and Pancakes':

• Blew over: This phrase means to pass without causing any significant trouble or lasting effect, or to be forgotten. In the context, it suggests that a potentially difficult situation or criticism was not taken seriously or did not have a major impact.
• Was struck dumb: This idiom means to be rendered speechless, usually due to extreme surprise, shock, or awe. The person is unable to say anything because they are so astonished.
• Catapulted into: This expression implies being suddenly and forcefully thrown or propelled into a particular situation, state, or activity. It suggests a rapid and often unexpected transition.
• A coat of mail: Historically, this refers to a type of armour made from interlocking metal rings or plates, designed to protect the wearer's body. In a figurative sense, it might imply a strong defence or protection.
• Played into their hands: This idiom means to act or behave in a way that unintentionally benefits an opponent or adversary. It suggests that one's actions are making things easier for the opposition.
• The favourite haunt: This refers to a place that a person or group visits frequently or is known to frequent often. It's a common or preferred place of gathering or visiting.
• Heard a bell ringing: This expression suggests that something heard or experienced has triggered a vague or indistinct memory, often something from the past that is not fully recalled but is recognized as familiar.

The writer uses the phrase 'fiery misery' to describe the intense discomfort and suffering experienced by actors while undergoing the makeup process. This discomfort is primarily caused by the heat generated from the numerous, powerful lights used in the makeup studios. The lights, essential for the makeup artists to work effectively, create a very hot environment, making the experience unpleasant and 'miserable' for the actors sitting under them.

The author refers to the makeup division of Gemini Studios as a prime example of national integration. This department was a microcosm of India's diversity, bringing together people from various regions, religions, and linguistic backgrounds. The author notes that the department was initially headed by a Bengali, succeeded by a Maharashtrian, and included staff members such as a Dharwar Kannadiga, an Andhra, a Madras Indian Christian, an Anglo-Burmese, and local Tamils. This diverse composition, working together harmoniously in a single department, showcased a unique form of unity and collaboration that transcended regional and religious differences.